{"id":5494,"date":"2026-02-03T01:56:41","date_gmt":"2026-02-03T01:56:41","guid":{"rendered":"https:\/\/vancouvercompetition.com\/?page_id=5494"},"modified":"2026-03-11T19:09:23","modified_gmt":"2026-03-11T19:09:23","slug":"2026-vimc-jury","status":"publish","type":"page","link":"https:\/\/vancouvercompetition.com\/zh\/2026-vimc-jury\/","title":{"rendered":"2026\u6e29\u54e5\u534e\u56fd\u9645\u97f3\u4e50\u5927\u8d5b\u88c1\u5224"},"content":{"rendered":"
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Alexander Brose<\/strong>
\u52a0\u62ff\u5927\u7687\u5bb6\u97f3\u4e50\u5b66\u9662\u9662\u957f \uff08\u539f\u5929\u6d25\u8331\u8389\u4e9a\u97f3\u4e50\u5b66\u9662\u9662\u957f\uff09<\/sub><\/sup><\/mark><\/h2>\n\n\n\n

.<\/sub><\/sup><\/mark><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Mr. Brose brings more than 25 years of leadership experience at the intersection of performing arts, education, and institutional strategy. His career has been shaped by a deep commitment to artistic excellence, inclusive community building, and the belief that cultural institutions play a vital role in civic and global life.<\/p>\n\n\n\n

As President and CEO of The Royal Conservatory of Music, Mr. Brose provides strategic and artistic leadership for one of Canada\u2019s most significant cultural and educational institutions. He is responsible for advancing the Conservatory\u2019s mission across its diverse divisions\u2014including post-secondary and pre-professional training, community music education, national learning systems, and international performance programming\u2014while ensuring long-term financial sustainability and organizational vitality. Working closely with the Board of Directors, faculty, staff, and philanthropic partners, he guides institutional strategy, strengthens the RCM\u2019s national and global profile, and champions access, excellence, and innovation in music education and performance.<\/p>\n\n\n\n

Before joining the RCM in 2023, Mr. Brose served as the inaugural Executive Director and CEO of the Tianjin Juilliard School in China\u2014the first and only international branch campus of The Juilliard School in New York City. Working closely with colleagues in both Tianjin and New York, he helped build the school from the ground up, establishing an institutional culture that upheld Juilliard\u2019s rigorous educational and artistic standards while thoughtfully engaging with the cultural, social, and educational context of China. His leadership focused on fostering collaboration, supporting faculty and students, and ensuring that the school emerged as both a world-class conservatory and a respectful, integrated presence within its local community.<\/p>\n\n\n\n

Prior to his work in China, Mr. Brose was Vice President for Development at the Aspen Music Festival and School in Colorado. In this role, he led all fundraising and strategic relationship-building efforts, playing a central role in a successful US$75 million capital campaign. He worked closely with senior leadership and trustees to help articulate and advance a renewed strategic vision for the organization, strengthening its long-term financial sustainability while deepening engagement with donors, artists, and audiences.<\/p>\n\n\n\n

Earlier in his career, Mr. Brose spent more than a decade at the San Francisco Conservatory of Music, holding a series of senior management positions including Director of Admissions and Associate Vice President for Advancement. During this formative period, he gained broad experience across enrollment management, fundraising, and institutional growth, contributing to the Conservatory\u2019s evolution during a period of significant change and expansion.<\/p>\n\n\n\n

Raised in South Korea, Hong Kong, and the United States, Mr. Brose brings a lifelong global perspective to his work. He holds a Bachelor of Arts degree in Asian Studies, with a concentration in China, from Cornell University. An award-winning vocalist, he has performed in distinguished venues around the world, including on the nationally syndicated U.S. radio program A Prairie Home Companion<\/em>, at the Seoul National Arts Center, with the Glimmerglass Festival, and with the Grammy Award-winning San Francisco Symphony Chorus, among others. <\/p>\n\n\n\n

Mr. Brose has served on the Board of Governors of the Recording Academy (the Grammys) and the American Chamber of Commerce in China, and he currently sits on the advisory councils of the Cornell University Glee Club and the Tianjin Juilliard School. A sought-after public speaker, he has presented widely at major arts conferences and universities in Canada, the United States and China, often addressing themes of leadership, cultural exchange, and the future of arts education.<\/p>\n\n\n\n

Mr. Brose lives in Toronto with his partner and two children.<\/p>\n\n\n\n\n\n\n\n

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<\/h1>\n\n\n\n

Robin McCabe<\/strong><\/strong>
Pianist; Professor of Piano at University of Washington<\/sub><\/sup><\/h2>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Celebrated pianist Robin McCabe has established herself as one of America\u2019s most communicative and persuasive artists. McCabe\u2019s involvement and musical sensibilities have delighted audiences across the United States, Europe, Canada and in nine concert tours of the Far East. The United States Department of State sponsored her two South American tours, which were triumphs both artistically and diplomatically.<\/p>\n\n\n\n

As noted by the New York Times, \u201cWhat Ms. McCabe has that raises her playing to such a special level is a strong lyric instinct and confidence in its ability to reach and touch the listener.\u201d The Tokyo Press declared her a \u201cpianistic powerhouse,\u201d and a reviewer in Prague declared, \u201cHer musicianship is a magnet for the listener.\u201d Richard Dyer, the eminent critic of the Boston Globe: \u2018Her brilliant, natural piano playing shows as much independence of mind as of fingers.\u201d<\/p>\n\n\n\n

Her recordings have received universal acclaim. Her debut album for Vanguard Records featured the premiere recording of Guido Agosti transcription of Stravinsky\u2019s Firebird Suite. Critics praised it as \u201cmightily impressive.\u201d Stereo Review described her disc of Bartok as \u201call that we have come to expect from this artist, a first-rate performance!\u201d She was commissioned to record four albums for the award-winning company Grammofon AB BIS in Stockholm, which remain distributed internationally, including the CD \u201cRobin McCabe Plays Liszt,\u201d (AB BIS No. 185).<\/p>\n\n\n\n

McCabe, earned her bachelor of music degree summa cum laude at the University of Washington School of Music, where she studied with B\u00e9la Siki, and her master\u2019s and doctorate degrees at the Juilliard School of Music, where she studied with Rudolf Firkusny. She joined the Juilliard faculty in 1978 then returned to the UW in 1987 to accept a position on the piano faculty. In 1994 McCabe was appointed Director of the School of Music, a position she held until 2009.  She has held a Ruth Sutton Waters Professorship and a Donald Petersen Professorship in the School of Music. In addition, McCabe is a dedicated arts ambassador and advocate for arts audience development, frequently addressing arts organizations across the country. With colleague Craig Sheppard, she has launched the highly successful Seattle Piano Institute, an intense summer immersion experience for gifted and aspiring classical pianists.<\/p>\n\n\n\n

The winner of numerous prizes and awards, including the International Concert Artists Guild Competition and a Rockefeller Foundation grant, McCabe was the subject of a lengthy New Yorker magazine profile, \u201cPianist\u2019s Progress,\u201d later expanded into a book of the same title. <\/p>\n\n\n\n

In 1995 McCabe presented the annual faculty lecture \u2014 a concert with commentary \u2014 at the University of Washington. She is the first professor of music in the history of the University to be awarded this lectureship. Seattle magazine selected McCabe as one of 17 current and past University of Washington professors who have had an impact on life in the Pacific Northwest. In 2005, to celebrate its 100th year as an institution, The Juilliard School selected McCabe as one of 100 alumni from 20,000 currently living to be profiled in its centenary publication recognizing distinction and accomplishments in the international world of music, dance, and theater. Today she is a highly- sought teacher at the University of Washington, with students from around the world seeking admission to her studio.<\/p>\n\n\n\n

McCabe performs regularly throughout the United States, and has made several tours of South Korea, Japan and China.  In 2022 she has been appointed Artistic Advisor to the Beijing Royal School, an elite private K-12 institution which is evolving an international Arts curriculum.  She appears often as an invited jurist for international piano competitions, most recently in New Orleans, San Antonio, and Vancouver, Canada.   She has recently  served on the jury of the Gina Bachauer International Piano Competition and Hilton Head International Piano Competition.  In March of 2026 she made her sixth tour of China. <\/p>\n\n\n\n\n\n\n\n

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<\/h1>\n\n\n\n

Timothy Long<\/h2>\n\n\n\n

Conductor, Composer; Artistic & Music Director of Opera at Eastman.<\/sub><\/sup><\/mark><\/h2>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Timothy Long is a distinguished conductor, pianist, and composer who is Artistic and Music Director of Opera at the Eastman School of Music and an Assistant Conductor at the Metropolitan Opera. He is an enrolled citizen of both the Muscogee Nation and the Thlopthlocco Tribal Town and is matrilineally Choctaw. <\/p>\n\n\n\n

At the age of 16, Tim made his piano concerto debut with the Oklahoma Symphony Orchestra and has since performed as a soloist with the Chamber Orchestra of Philadelphia, the Lawton (OK) Philharmonic, the Beethoven Society Orchestra of Washington DC, the Sociedad Filarmonica de Conciertos of Mexico City, the Eastman School Symphony Orchestra, and the Eastman Philharmonia. As a keyboardist, Tim has performed throughout the world at venues such as Carnegie Hall, Lincoln Center, the Kennedy Center, National Sawdust, the Kimmel Center, Jordan Hall, Wigmore Hall in London, the Alte Oper in Frankfurt, Herkules Hall in Munich, Dvo\u0159\u00e1k Hall in Prague, La Halle aux Grains in Toulouse, the Oregon Bach Festival, the Aspen Music Festival, the Caramoor Festival, and the Dame Myra Hess Series in Chicago. <\/p>\n\n\n\n

Since early appointments as Associate Conductor at the New York City Opera and Assistant Conductor of the Brooklyn Philharmonic, he has had engagements with ensembles such as the Mostly Mozart Festival Orchestra, the Met Orchestra Chamber Ensemble, the Chamber Orchestra of Philadelphia, the Oklahoma City Philharmonic, the Eastman Philharmonia, the Oregon Bach Festival Orchestra, and the Continuum Ensemble of Toronto. His operatic engagements have included Boston Lyric Opera, Wolf Trap Opera, Opera Colorado, Utah Opera, Tulsa Opera, Opera Theatre of Saint Louis, and The New Group. <\/p>\n\n\n\n

Tim is president of The Plimpton Foundation (theplimptonfoundation.org<\/a>), which promotes the work of Native American and First Nations performing artists through scholarships and commissions. 2024 marked the world premiere of Tim\u2019s initiative, the North American Indigenous Songbook, which commissions North American Indigenous composers to write songs that are available for all to sing. The first round of composers included R. Carlos Nakai, Raven Chacon, Dawn Avery, Sage Bond, Charles Shadle, Timothy Archambault, Connor Chee, and Martha Redbone. Between the Moab Music Festival, the Eastman School of Music and the North American Indigenous Songbook, he has commissioned over 21 new compositions for the genres of song, chamber music, and orchestral composition. <\/p>\n\n\n\n

Tim\u2019s recordings include Missing<\/em> (Bright Shiny Things, 2025), Alburnum, <\/em>with internationally renowned baritone Brian Mulligan <\/em>(Bright Shiny Things, 2022), Beauty Intolerable: Songs of Sheila Silver<\/em> (Albany Records, 2021), the American Classics recording of Dominick Argento song cycles with Brian Mulligan (2017 Naxos), the Opera America Songbook <\/em>(Opera America, 2012), and The Music Teacher<\/em> (Bridge Records, 2008), starring Wallace Shawn, Parker Posey, and Elizabeth Berkley. <\/p>\n\n\n\n

He has appeared on NPR\u2019s More Than Music, CBC\u2019s Saturday Afternoon at the Opera, NBC\u2019s Today Show, CBS Sunday Morning, CNN\u2019s First of All with Victor Blackwell, and recently had a featured profile in the New York Times. Tim is proud to be on the Board of Directors of OPERA America and is a 2024 inductee into the Oklahoma Music Hall of Fame. <\/p>\n\n\n\n

America and was inducted into the Oklahoma Music Hall of Fame in 2024. He resides in Rochester, New York, and New York City, and is a graduate of Oklahoma City University and the Eastman School of Music.<\/p>\n\n\n\n\n\n\n\n

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<\/h1>\n\n\n\n

Mark Anderson<\/strong><\/strong>
Pianist; Chair of the Keyboard Division at UBC<\/mark><\/sub><\/sup><\/h1>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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A native of the San Francisco Bay Area, pianist Mark Anderson\u2019s recordings and performances have met with widespread critical acclaim over the past several decades. Since his successes at the International Piano Competition of Japan (1992), Busoni (1992 – Italy), Leeds (1993 – U.K.), Washington (1993 \u2013 Washington D.C.) and William Kapell (1994 – Maryland, U.S.) international piano competitions, Mark Anderson has appeared frequently as recitalist, soloist and chamber musician. He has performed in Japan, throughout much of Europe and Great Britain, Ireland and North America.<\/p>\n\n\n\n

Mark Anderson has collaborated with conductors such as Sir Simon Rattle, Nicholas McCegan, William Boughton, George Cleve, and Adam Fischer. In recital, Mark has appeared at New York\u2019s Alice Tully Hall and Weill Hall, the Kennedy Center and the Phillips Gallery in Washington D.C., London’s Wigmore Hall and Zurich’s Tonhalle and elsewhere throughout Europe and North America. His solo and concerto performances are complimented by chamber music work, most recently with the newly formed R\u00f6ntgen Piano Trio. The trio is committed to illuminating the darker corners of the piano trio literature while giving fresh interpretations of the masterworks in that genre.<\/p>\n\n\n\n

Mr. Anderson records exclusively with Nimbus Records and has released recordings of works by Liszt, Schumann, Brahms, Dohnanyi, Copland, Gershwin, Mussorgsky and Stravinsky. He has recorded 2 CDs of the solo piano works by Hans von B\u00fclow and, since 2014, has released five CDs of solo piano music of the German\/Dutch composer Julius R\u00f6ntgen. Along with recent recordings of R\u00f6ntgen\u2019s piano music, Mark is researching and editing scores of unpublished works that heretofore existed only in manuscript. Recording, editing and publishing these previously unknown works introduces new and high-quality works into the piano repertoire. Mark recorded a CD of 2-pianos works with Canadian pianist Michelle Mares, which includes works by Brahms, Reinecke and R\u00f6ntgen \u2013 the works by R\u00f6ntgen being world premieres, the scores of which are available through Nimbus Music Publishing (https:\/\/www.wyastone.co.uk\/nmp<\/a>). Most recently, Julius Rontgen Piano Music 6 was released April 4, 2025. All recordings are available on Amazon, Apple Music, Spotify, YouTube and other online streaming platforms.<\/p>\n\n\n\n

Mark received his early training with Trula Whelan and later more formative study with Aiko Onishi in California. In 1988, he received a Fulbright Scholarship to continue his studies in the UK with Ryszard Bakst in Manchester and Benjamin Kaplan in London. <\/p>\n\n\n\n

Mark Anderson is an Associate Professor and chair of the keyboard division at the University of British Columbia School of Music and is the former owner and Executive Director of New World Music Academy in Pleasanton, California.<\/p>\n\n\n\n

 Mr. Anderson is a Steinway artist.<\/p>\n\n\n\n\n\n\n\n

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<\/h1>\n\n\n\n

Ian Parker<\/h2>\n\n\n\n

Pianist; Music Director and Principal Conductor of the VAM Symphony Orchestra<\/h3>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Magnetic, easy-going, and delightfully articulate, Canadian pianist and conductor Ian Parker captivates audiences wherever he goes. As a pianist, he has appeared with philharmonic orchestras from Buffalo to Calgary, as well as the Cleveland Orchestra at Blossom, and the symphonies of Cincinnati, Edmonton, Greenwich, Honolulu, National (Washington, D.C.), San Francisco, Santa Barbara, Spokane, Toronto, Vancouver, and Winnipeg, among many others. During the 2019\/20 season, he will make his debut with the Savannah and Bakersfield Symphonies, and return to the Pensacola Symphony and Okanagan Symphony, among others. As a conductor, he recently completed his first season as Music Director of the Vancouver Academy of Music Symphony \u2013 an unbridled success. In 2019\/20 he will continue to lead the orchestra in four vibrant programs from both the podium and the keyboard.<\/p>\n\n\n\n

An enthusiastic recitalist and chamber musician, Mr. Parker has performed across the United States, throughout Canada, Western Europe, and Israel. He made his Lincoln Center recital debut at the Walter Reade Theater in 2004, and since 2005, he has toured extensively with the internationally renowned Vogler Quartet.<\/p>\n\n\n\n

Also an active recording artist, Ian Parker\u2019s discography includes an all-fantasy solo CD, featuring works of Chopin, Schumann, and Beethoven for Azica Records, and a CD of concerti (Ravel Concerto in G,<\/em> Stravinsky Capriccio,<\/em> and Gershwin Concerto in F)<\/em> recorded with the London Symphony under Michael Francis for ATMA Classique.<\/p>\n\n\n\n

Born in Vancouver to a family of pianists, Ian Parker holds both Bachelor and Master of Music degrees from The Juilliard School, where he was a student of Yoheved Kaplinsky.<\/p>\n\n\n\n\n\n\n\n

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Domagoj Ivanovic<\/strong><\/h2>\n\n\n\n

Violinist; Chair of the Violin Division at Vancouver Academy of Music<\/sub><\/sup><\/mark><\/h2>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Currently the Chair of Violin Division at the Vancouver Academy of Music, Domagoj Ivanovic moved to Canada after graduating with a Doctor of Musical Arts degree in Violin Performance at the University of Miami, where he held the post of a Teaching Assistant, as well as served as an Assistant Concertmaster for the Miami Symphony Orchestra.<\/p>\n\n\n\n

Since then, he has established himself as a violinist and an educator in the greater Vancouver area. As a performer, he has shared the stage with some of the top ensembles in Vancouver, such as the Vancouver Symphony Orchestra, Vancouver Opera Orchestra, and Turning Point Ensemble. He also adjudicated a number of festivals and competitions, such as the North Shore Music Festival, Vancouver Youth Symphony Orchestra Concerto Competition, Surrey Youth Symphony Concerto Competition, and University of British Columbia Concerto Competition, to name a few.<\/p>\n\n\n\n

Originally from Zagreb, Croatia, he began studying violin at the age of seven. During his studies he was the recipient of numerous prizes and awards in violin competitions at the national and international level, the most important being First Prize in the National Violin competition and First Prize in the National Chamber Music competition.<\/p>\n\n\n\n

As a soloist he appeared with several orchestras, most notably with the Zagreb Philharmonic orchestra, and the Miami Symphony orchestra. Described as a player with \u201cclear technique and great sensitivity\u201d he has performed all over Europe and North America, as well as China, Taiwan and Singapore.<\/p>\n\n\n\n\n\n\n\n

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Lani Krantz<\/strong>
Principal Orchestral & Chamber Harpist<\/sub><\/sup><\/mark><\/h2>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Lani Krantz, is a distinguished third-generation professional musician and one of British Columbia\u2019s most versatile harpists. Lani\u2019s career is defined by a rare duality, excelling as both a rigorous orchestral performer and a captivating vocalist-solo harpist. She currently serves as the Principal Harpist for the Vancouver Island Symphony, a regular extra with the Vancouver Symphony Orchestra and an occasional extra with groups such as the Vancouver Opera, and the Victoria Symphony.<\/p>\n\n\n\n

Her artistic breadth is reflected in her extensive performance history, including highlights such as a performance of the Mozart Flute and Harp Concerto<\/em> with flutist, Carol Dymond and Sinfonia, Orchestra of the North Shore. Performances of William Alwyn\u2019s beautiful Lyra Angelica<\/em> for string orchestra as harp soloist with the Vancouver Island Symphony. Collaboration with erhu specialist, Rong Jun and composer\/conductor, Jin Zhang to perform traditional Chinese songs set for western harp and erhu which led to showcases at festivals and events including the Sound of Dragon Festival and the World Harp Congress. <\/p>\n\n\n\n

Lani has been a performing member of the acclaimed touring group, Winter Harp<\/em> since 2016 and in 2021 added the role of manager of the ensemble. As a freelance harpist, Lani has taken the stage with many famous performers, such as Il Divo, Josh Groban, Andrea Bocelli, Sarah McLachlan and Johnny Mathis. <\/p>\n\n\n\n

A dedicated pedagogue, Ms. Krantz is a Royal Conservatory of Music Gold Medal Teacher. She holds faculty positions at the Vancouver Symphony School of Music, the Vancouver Academy of Music, and Douglas College. Lani received a bachelor\u2019s degree in harp performance from UBC and continued to study orchestral harp at the Aspen School of Music and with the National Youth Orchestra of Canada. Her academic background is further distinguished by a Diploma in Early Years Education from the University of British Columbia, with studies focusing on the intersection of music, literacy, and early childhood development.<\/p>\n\n\n\n

In 2016, Lani added \u2018Mom\u2019 to her list of titles and is enjoying watching her son travel on his own artistic and academic journeys!<\/p>\n\n\n\n\n\n\n\n

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<\/a>Brenda Fedoruk
Flutist; Principal Flute of the Vancouver Opera Orchestra<\/sub><\/sup><\/mark><\/h2>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Alexander Brose<\/a><\/mark> | Robin McCabe<\/a> | Timothy Long<\/a><\/p>\n\n\n\n

Mark Anderson<\/a> | Ian Parker<\/a> | Domagoj Ivanovic<\/a><\/p>\n\n\n\n

Lani Krantz<\/a> | Brenda Fedoruk<\/a> <\/p>\n\n\n\n

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Brenda Fedoruk is currently Principal Flute of the Vancouver Opera Orchestra, a position she has held for more than 15 years. As a longtime member (Flute and Piccolo) of the CBC Radio Orchestra, she was also the Musicians\u2019 Contractor until the orchestra\u2019s disbanding in 2008. A busy freelance player, she performs often with the Vancouver Symphony Orchestra, and has played with the touring orchestras of the Royal Winnipeg Ballet and the National Ballet.<\/p>\n\n\n\n

Ms. Fedoruk has performed in many major musical productions including the Vancouver productions of Les Miserables, Showboat, Sunset Boulevard, Ragtime and Phantom of the Opera.<\/p>\n\n\n\n

Ms. Fedoruk\u2019s discography includes many CDs on the SM5000 series with the CBC Radio Orchestra, several discs on the Artifact, Atma and CentreDisc labels with the Turning Point Ensemble, the Sylark label with Chor Leoni and the Elektra Women\u2019s Choir and several private labels featuring The Vancouver Men\u2019s Chorus and music by Three Hornby Island Composers.<\/p>\n\n\n\n

Ms. Fedoruk\u2019s first solo CD, I Remember<\/a>, with mezzo-soprano Sarah Fryer is now available. This disc features two world premier recordings\u2014Michael Cohen\u2019s From the Wall<\/em> and Owen Underhill\u2019s Remember<\/em>.<\/p>\n\n\n\n

Ms. Fedoruk has been the Conductor and Music Director of the Capilano Flute Choir for more than ten years. The Capilano Flute Choir is an adult amateur ensemble. Performing on all instruments in the flute family\u2014piccolo, C flute, alto flute and bass flute\u2013the CFC presents several concerts each year at elder care facilities and community events.Ms. Fedoruk holds a Bachelor of Music degree from the University of British Columbia where she graduated first in her class. Extended studies have taken her to the Konservatorium und Musikhochschule in Zurich, Switzerland where she resided for two years, then to Toronto where she was one of two Canadian flutists selected to participate in the Orchestral Training Program administered by the Royal Conservatory of Music. Her formative teachers include Camille Churchfield, Andr\u00e9 Jaunet, and Paul Douglas.<\/p>\n\n\n\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Alexander Brose President & CEO of The Royal Conservatory of Music . Alexander Brose | Robin McCabe | Timothy Long Mark Anderson | Ian Parker | Domagoj Ivanovic Lani Krantz…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5494","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/pages\/5494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/comments?post=5494"}],"version-history":[{"count":5,"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/pages\/5494\/revisions"}],"predecessor-version":[{"id":5584,"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/pages\/5494\/revisions\/5584"}],"wp:attachment":[{"href":"https:\/\/vancouvercompetition.com\/zh\/wp-json\/wp\/v2\/media?parent=5494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}